Participant, the activist film and television studio that has financed Oscar winners like “Spotlight” and socially conscious documentaries like “Food, Inc,” and “Waiting For Superman” is closing its doors after 20 years.
Who knew what Taylor Swift's latest era would bring? Or even what it would sound like? Would it build off the moodiness of “Midnights” or the folk of “evermore”? The country or the '80s pop of her latest re-records? Or its two predecessors in black-and-white covers: the revenge-pop of “Reputation” and the literary Americana of “folklore”?