TORONTO - Outerwear was everywhere on Day 3 of Toronto's LG Fashion Week as fall/winter collections showcased Tuesday on the runway offered a myriad of looks, ranging from motorcycle jackets, blazers and trenches to floor-length military-inspired designs.

Evan Biddell: The Toronto-based designer dialled up the volume on his creations for the cooler months -- and not solely the silhouette.

Biddell went brassy and bold with Technicolor pop art graphics adorning everything from skin-tight leggings to a head-to-toe body-hugging hooded jumpsuit that draped over the top of the head and nearly covered the mouth, with a cutout around the eyes where the model sported darkened sunglasses.

From fanciful collars to puffed and protruding sleeves, draped dhotis and bubble hemmed halters, virtually every garment in the line was amped with volume in Biddell's typically avant garde fashion.

Lundstrom: Linda Lundstrom may have bid farewell to her eponymous brand, but both the label and the name live on with a creative team of designers at the helm continuing to steer the brand as it broadens to encompass an entirely new line.

"We're really not changing the brand or the balance. Nothing has changed. We're still keeping true to Lundstrom," said Tamar Matossian, general manager of Eleventh Floor Apparel, whose company purchased the rights to the designer's name, assets and the manufacturing plant of Lundstrom's former company after she filed for bankruptcy protection.

With a team of designers from Nygard, St. John, Lida Baday and Ralph Lauren, the Lundstrom Collection made its debut at LG Fashion Week.

The new line offered a selection of refined outerwear looks, career and eveningwear characterized by Matossian as "understated elegance" in a palette flush with black, navy and monotone neutrals, along with pops of green, blue and magenta.

Jackets in mohair and herringbone, knit cardigans and alpaca cuddle coats were among the outerwear pieces. Dresses made use of contrasting materials -- tweed, lush silk velvet and jacquard -- and ranged from cocktail length to a sleek bias silk velvet floor skimming creation.

Classic suited pairings on offer included a chalk striped belted jacket and trouser and swing jacket paired with a slim fitting pant.

Pat McDonagh: The longtime designer spanned the sartorial spectrum, opening with military-inspired outerwear and closing the show with a display of luxe eveningwear.

Fur-trimmed collars and cuffs, brassy buttons and epaulettes were among the embellishments incorporated into the refined, rich wool coats steeped largely in red and black hues.

McDonagh also heeded the call of the wild with a compendium of colourful animal print leggings and dresses and oversized fur shrugs and vests.

The collection transitioned from tailored suited separates to sporty looks, with beige-tinged grey nylon fashioned into a trench and full-length jumpsuit, and a fur-collared motorcycle jacket with Amelia Earhart-style aviator cap.

Soft grey jersey separates eased into a showcase of winter-white designs with crochet decoration. A bolero-style top was paired with a creamy wide-legged palazzo pant, and a subtle knit petal detailing adorned the pockets of a tailored shift dress.

McDonagh rounded out the collection with her sumptuous eveningwear numbers. Her taste for the unconventional showed up in cap sleeves on a cocktail number fashioned from flowers and in full skirts on dresses adorned with fluttery black feathers.

The closing creation was perhaps the most offbeat and whimsical, featuring two feathered doves perched on the shoulders of the sleek design.

LOVAS Wesley Badanjak: Sleek separates and sophisticated outerwear were the staples in the latest creations from the Toronto-based label.

The wide range of offerings was awash in a vibrant colour palette contrasting crimson, pink and shades of purple with black, grey and winter white.

Badanjak offered looks that shifted from the ethereal -- like wispy printed silk chiffon shirts and dresses and liquid-smooth silk charmeuse button-down blouses -- to more hard-edge looks like shimmering micro-sequined tops and dresses with exposed zippers and rivet-studded skirts.

Jackets, wool trenches and longer coats were crisply tailored, matched with a vast array of skirts that spanned from the more spare pencil-slim and flared hems to more intricately embellished like a glimmering black brocade number.

Badanjak incorporated fur in several looks as both accompanying pieces and stand-alone designs, with a coyote and lambskin jacket, raccoon fingerless gloves and red fox bolero among the creations.

Zoran Dobric: The Toronto-based designer is well known for his signature self-styled prints used in his intricate, graphic designs. For his latest fall/winter offerings, he had a little company.

In the liner notes for the collection, Dobric described the merging of "tribal and belle epoque elements" in the textile prints from the designer and guest artist Aleksandar Sakic from Tokyo.

The collection at times had more edginess that tempered the romanticism of the creations, which mostly comprised a succession of breezy tunics and silk dresses with draped bell or more demure cap sleeves. Large-scale geometric graphics drenched in rich colour pairings, like creamy peach and azure and orange and chocolate brown, adorned the garments.

For the men, graphic tees took on a whole new meaning, with textured designs adorning collars and even the odd buckle clasping together shirt fronts.

As for outerwear, Dobric offered a taste of the conventional and the avant garde, contrasting from a boiled wool chocolate-brown collared coat to a more architectural high-collared creation marrying gold and black that brought origami to mind.

Saniya Khan: The designer tapped into her ancestral history in Pakistan, Afghanistan and eastern Persia for inspiration and techniques to craft the modern-day designs .

The influences were most noticeable in the expansive compilation of matte and metallic-toned prints on loose-fitting, sweeping tunics, shirts and separates, and in the shimmering beadwork and appliques dotting the billowing ponchos and capes.

But it was the use of soft velvet that stood out -- in outerwear, separates and accessories. Colourful coats, cinch-waisted, bell-sleeved dresses and jewelled belts were among a host of pieces incorporating the material.

Beyond the occasional punches of colour, it was a mostly muted palette of hues. There were shades of olive, blue, grey and beige along with the occasional infusion of shimmering metallic tones.

Orange by Angela Chen: The Taiwanese-born, Vancouver-raised designer served up a subtle twist on classic looks for her Orange label in a fall/winter collection encompassing cosy knits, sleek separates and chic eveningwear.

Largely dominated by black and white pieces, the latest offerings from the featured delicate, clean designs juxtaposed with more intricate looks, including a high-waisted hand-knit skirt and a dress heavily embellished with sequins.

Among the classic wool separates were tailored wide-lapelled coats, capes and form-fitting dresses.

Chen played with silhouettes and cuts, using asymmetrical hems on chunky knits, and amping up the detailing with exaggerated shoulders and bell sleeves.

Draping added dimension and texture to slender skirts and cigarette-slim pants. The use of organza in translucent blouses and dresses and subtle detailing from sheer dress panelling to ribbon ties offered a sense of romanticism and sensuality.

The collection included a series of shimmering hand-knit dresses. The show closed with a daring creation that had a plunging V-neckline.

Fashion Week continues until Thursday.